Next week I’m heading to Washington, D.C for a couple of professional engagements. First up is the Smithsonian Affiliations Annual Conference. The conference runs from Monday, October 17 through Thursday, October 20. This year marks the 20th anniversary of Smithsonian Affiliations and our colleagues in Washington have put together an excellent conference schedule. I’m looking forward to reconnecting with colleagues, exchanging ideas, and learning fresh insights. Check out the conference agenda.
My responsibilities at the annual conference are twofold. First, I’ve had the pleasure of serving on the Smithsonian Affiliations Advisory Council for the past three years. On Monday, we will convene for our annual meeting. I’m very much looking forward to learning more about the developments with the Affiliates program, as well as doing my best to provide effect feedback. Additionally, on Tuesday at 9:30am, I have the pleasure of participating on a keynote panel entitled, Opening Session: Saluting our Past, Shaping our Future. During this time we’ll be sharing our work and experiences as part of the Affiliate network, while also exploring opportunities for future collaboration. If you can join us, swing by the Rasmuson Theater at the National Museum of the American Indian. Here’s a peek at what I’ll be discussing.
On Wednesday, October 19, I have the pleasure of serving on a panel presented by the Middle East Institute and the Institute for Immigration Research (IIR) at George Mason University. The panel, entitled The Art of Immigration: How Immigrant Artists Enrich America, also includes Huda Asfour (Musician & Composer), Anne-Marie McGranghan (UNHCR), and James Witte (George Mason University). Our discussion will explore the “social, cultural, and economic impact of immigrant artists on U.S. society, the infrastructure available to support the integration of immigrant artists, and the personal transformations they undergo as they adapt to their new homeland.” Details on the panel, including info on registration, can be found here.
The Arab American National Museum is excited to be presenting the 2015 Arab Film Festival as part of the award-winning Cinetopia International Film Festival. That’s right, a film festival within a film festival. We’re awfully creative. The 2015 Arab Film Festival is also an important program within the Arab American National Museum’s tenth anniversary year programming schedule.
Cinetopia began on June 5 at the Detroit Institute of Arts in Detroit. We were pleased that one of our Arab Film Festival features served to kick off the festival program. That film was Kahlil Gibran’s The Prophet. Produced by Selma Hayek and featuring top talent such as Liam Neeson, this major film premiered at the 2014 Toronto International Film Festival. Our screening in Detroit is one of the first public screenings in the US. In fact, the opening night screening took place on the north lawn of the Detroit Institute of Arts. This animated film will have its official US debut in August. In addition to the screening at the DIA, we will also showing The Prophet in the Museum’s new Annex and at the historic Michigan Theater in Ann Arbor.
In sum, there are eight films as part of the Arab Film Festival. Other titles include the award-winning Wadjda – the first feature film from a female in Saudi Arabia – and Cherien Dabis’ May in the Summer.
There are five days left in the festival. Score yourself some tickets!
On monday, Governor Rick Snyder spent half a day visiting the Arab American National Museum. We were pleased the governor spent so much time learning about our institution and the communities we serve.
Big ups to Eastern Michigan University for featuring me in the I am TRUEMU alumni campaign. Glad to see those grad school dollars are paying off!
Brand new TRUEMU light-post banners are going up around campus. There will be 100 banners featuring 62 alumni. Each EMU alumni choose an individual power statement and photo showcasing their success and career post graduation. This next phase of the TRUEMU marketing campaign, follows faculty and student campaigns.
Late last year I had the honor of being photographed by the noted French photographer Gilles Perrin for an exhibit called Detroit Resurgent. I am humbled and honored to be included in this exhibit, which is on display at the MSU Museum through January 2014. The exhibition will travel to Detroit and will be hosted at the MSU Detroit Center from May-December 2014. Here’s more on the exhibition:
Detroit Resurgent is an exhibition that runs from September 8, 2013 through January 12, 2014 and a book that will be released by the MSU Press in April 2014. Through photographic portraits, interviews, essays and poetry it demonstrates the vitality and humanity of the people of Detroit and provides a powerful counter-narrative to the vision of Detroit as a Rust Belt wasteland.
Portraits of the Motor City, the centerpiece of Detroit Resurgent, is based upon the MSU Museum’s commission of French photographer Gilles Perrin to make a series of portraits over a three-week period in 2012 and have Nicole Ewenczyk, his wife, record interviews with each subject.
Sixty-two portraits, sixty-four people in photographs and their own words. People from all walks of life, ages, and ethnicities; these are the people whose stories of vision, hope, frustration, joy, courage, and renewal represent the greatness of Detroit past, present, and future. These people are the ones who breathe life into an often-maligned and frequently misunderstood city.
Factory workers, autoworkers to business executives, artists, entrepreneurs, developers, community activists, union organizers, community bankers, social-justice advocates, urban farmers, cultural and political leaders, doctors and community health workers, lawyers, journalists, poets, musicians, educators, religious leaders, and steelworkers: these are the people of Detroit whose expansive humanity is poignantly captured through Gilles Perrin’s sensitive portraits and Nicole Ewenczyk’s insightful interviews. These are the people moving Detroit forward, remaking Detroit for the twenty-first century. These are the people of today’s Motor City.
“Through the recession, we learned arts and culture was not the No. 1 priority for certain foundations and corporations,” said Devon Akmon, director of the Arab American National Museum. Endowment “is a way of building a more sustainable future. … It’s a bank of money we know will be there … unrestricted funds which provide a certain level of freedom and, in many ways, it’s guaranteed.”
A heartfelt congrats to all the other awardees of the Crain’s Detroit Business40 Under 40. And much love to the Arab American National Museum and ACCESS staff for making their leaders look so good. They do the heavy lifting that makes our organization shine!
I’m honored to be recognized by Crain’s Business Detroit as one of the 2013 “40 Under 40” business leaders.
Since 1991, Crain’s Detroit Business has honored 40 of the community’s high achievers with its 40 under 40 awards. This year’s winners launched companies, helped grow established firms, created products, swung international deals, improved health care and aided nonprofits. The goal is to honor the best and brightest in Southeast Michigan who have made their marks in business before age 40.
Led by Crain’s enterprise editor Bill Shea, a team of reporters and editors evaluated more than 300 nominees and vetted them with industry sources and references to develop our final list.